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Harry Geffert, In the Garden

Harry Geffert

In the Garden

Nov 08 - Dec 30

Harry Geffert, In the Garden

Harry Geffert

In the Garden

Nov 08 - Dec 30

Harry Geffert, In the Garden

Harry Geffert

In the Garden

Nov 08 - Dec 30

Harry Geffert, In the Garden

Harry Geffert

In the Garden

Nov 08 - Dec 30

Harry Geffert, In the Garden

Harry Geffert

In the Garden

Nov 08 - Dec 30

Harry Geffert, In the Garden

Harry Geffert

In the Garden

Nov 08 - Dec 30

Harry Geffert, In the Garden

Harry Geffert

In the Garden

Nov 08 - Dec 30

Harry Geffert, In the Garden

Harry Geffert

In the Garden

Nov 08 - Dec 30

Harry Geffert, In the Garden

Harry Geffert

In the Garden

Nov 08 - Dec 30

Harry Geffert, In the Garden

Harry Geffert

In the Garden

Nov 08 - Dec 30

Harry Geffert (1934-2017), Wetlands, 2017
Harry Geffert (1934-2017), Oklahoma, 2017
Harry Geffert (1934-2017), Breakfast in the Rose Garden​, 2005
Harry Geffert (1934-2017), There Was A Garden, 2003
Harry Geffert (1934-2017), Uprooted, 2005
Harry Geffert (1934-2017), Tree Form, 2004-2005
Harry Geffert (1934-2017), Old Tree, 2005

Press Release

Cris Worley Fine Arts is proud to present Harry Geffert: In the Garden, an exhibition of cast bronze and paper works spanning 30 years by renowned artist and educator, Harry Geffert (1934 – 2017).

In the Garden features two of the last works made by the artist before his passing in the fall of 2017. Often inspired by vacation travels with his life partner and fellow artist, Linda Ridgway, works like Oklahoma and Wetlands reveal the Geffert’s late inspiration of painting, both as a medium, and as an object in itself. Earlier cast, white, paper pieces of tree forms also speak to “place” but in a more ephemeral sense – allowing us to imagine where the forms where found, and what inhibited these quiet spaces. Geffert was always influenced by his surroundings, and his source, the nature that abounds, was in no short supply.

The Green Mountain Foundry, the original home to these sculptures, was an artwork in and of itself -- entirely built by Geffert’s hand. It was a site of immeasurable creation as Geffert used his incomparable skills casting the most delicate and ephemeral of forms in molten bronze to teach and collaborate with many other Texas greats like Frances Bagley, Clyde Connell, Joseph Havel, Lucas Johnson, Ken Little, Linda Ridgway, James Surls, Vernon Fisher, and Virgil Grotfeldt. The magic created onsite through Geffert’s artistry, his adoration of the natural world, and his collaborative spirit seeps through every piece that was once part of the land. While the property is gone, the dignity and gravitas of the space remain with these extraordinary works in bronze.

Over six decades, Harry made an indelible impression on the artistic landscape of the Southwest through his work as an artist and educator. Each work that he brought to life was imbued with the humor, intelligence, and joy that he felt in embracing the complexities of casting in his studio. For Harry, there was no greater pleasure than bringing an idea into 3-dimensions. His essence as a sculptor is represented by his description of a series of wooden figures he whittled as a child, “I just had to do them, you know? I had to get that pocketknife blade open and do them, that was important; other than that, who cares?” This ceaseless drive to create would call Harry into his studio up until the day he passed in the fall of 2017.

Harry Geffert was born in Live Oak County, Texas in 1934. He received his Bachelor of Science from Southwest Texas State University in San Marcos and his Master of Arts from New Mexico Highlands University in 1961. He spearheaded the Sculpture Department at Texas Christian University in 1962 where taught for twenty-seven years. In 1980, he established The Green Mountain Foundry, where his guidance and knowledge were sought after by artists across the country.

He was awarded the Mitchell W. Wilder Merit Citation for Excellence in Publication and Media Design in 1983 for a video installation on a bronze casting in collaboration with the Amon Carter Museum in Fort Worth. Harry went on to receive a Fellowship from the National Endowment for the Arts in 1990, and in that same year, presented a solo exhibition at the Dallas Museum of Art. He was bestowed with a Legend Award from The Dallas Visual Arts Center in 1998. In 1999, Geffert closed the foundry to the public to focus solely on his own artistic interests.

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