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Ruben Nieto, BWA-66, 2015

Ruben Nieto

BWA-66, 2015

dye sublimation print on polyester and perforated vinyl

72h x 48w in

RN048

Ruben Nieto, DC-01, 2015

Ruben Nieto

DC-01, 2015

archival print on perforated vinyl

36h x 24w in

Framed: 37h x 25w in

RN037

Ruben Nieto, DC-03, 2015

Ruben Nieto

DC-03, 2015

archival print on perforated vinyl

36h x 24w in

RN039

Ruben Nieto, DC-04, 2015

Ruben Nieto

DC-04, 2015

archival print on perforated vinyl

36h x 24w in

RN040

Ruben Nieto, DC-05, 2015

Ruben Nieto

DC-05, 2015

archival print on perforated vinyl

24h x 36w in

RN041

Ruben Nieto, DC-06, 2015

Ruben Nieto

DC-06, 2015

archival print on perforated vinyl

24h x 36w in

RN042

Ruben Nieto, DC-08, 2015

Ruben Nieto

DC-08, 2015

archival print on perforated vinyl

24h x 36w in

RN044

Ruben Nieto, Motherwell Strikes Back, 2012

Ruben Nieto

Motherwell Strikes Back, 2012

oil on canvas

72h x 102w in

RN014

Press Release

Cris Worley Fine Arts is pleased to announce Dallas-based artist Ruben Nieto’s third solo exhibition with the gallery, entitled, ‘Décollage’. The exhibition will open Saturday, May 16th from 6pm – 8pm with an artist’s reception and will continue through June 20th, 2015.

Nieto is known for his bold paintings of explosive color and recontextualized imagery referred to as “comic abstractions.” His fascination with American comics and popular culture surfaced at an early age in his hometown in Veracruz, Mexico, where he was also mesmerized by bold, thick layers of cinematic posters being scraped and peeled from concrete buildings. In this new series, Nieto recalls the deconstructive qualities of works by artists, Raymond Hains, Francois Dufrene, and Mimmo Rotella, taking a subtractive approach to his densely layered compositions.

Dr. Richard R. Brettell, Margaret McDermott Distinguished Chair of Art and Aesthetic Studies, UTD, and former director of the Dallas Museum of Art sheds light on Nieto’s tendency to blend traditional techniques of the past, with new tools and methods of production:

“With his initiation into advanced technology and “anti-studio” practice at UTD came a fascination with image manipulation through computers, into which he “feeds” comic book images and adapts, combines, destroys, recombines, and layers them into completely new energized compositions.”

For this recent body of work, Nieto has chosen a new surface of translucent, perforated vinyl, recalling the Ben-Day dots prevalent in Roy Lichtenstein’s Pop Art paintings, which also reference traditional comic printing techniques.

Ruben Nieto was born in Veracruz, Mexico. He holds a BFA from the Universidad de Guanajuato, an MFA in Arts and Technology from The University of Texas at Dallas. Recently, Nieto was featured in New American Paintings, issue No. 114. Nieto has shown internationally in Switzerland, Germany, Spain, France, Canada, Mexico and the U.S.

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